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As he's about to set Eddie free, his words of warning come true, and Amy promptly stakes him. Jason takes charge of his "woman" and decides against having a pet vampire in the basement. Any spoiler-free thoughts?)īut in an episode brimming with horror, it's the final scene with Eddie which packs the hardest punch.
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(A confession – I've seen the whole series so I know whodunnit, but I definitely had no idea by this point of the series.
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This episode has made a good job of being genuinely rattling and it's brought the focus back to the serial killer.
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Only she's not alone, and a gloved predator goes in for the strangle, though she manages to escape. While Bill is getting back to vampire basics, Sookie still has the hump with Sam, and heads off into Merlotte's, alone, to clear up. OK, we got the message, Shawshank Redemption. Bill does a dramatic roar as he bites her neck. Deborah Ann Woll is excellent as the soon-to-be-fanged Jessica, bringing the much-needed horror to the scene. The Magister is tremendously dour and threatening, referring to Sookie as Bill's pet and pondering the possibility of torture (fang removal looks agonising), before hitting on the worst punishment Bill could receive – he has to replace the vampire he killed by turning the frightened young girl in front of him. Aesthetically they've gone for Scrapheap Challenge and the formation of a ring of baying vampires makes it look like they're about to break into song, though maybe I've seen too many musicals. Tonight, however, is all about Bill's tribunal. But of course, it doesn't last – the frown is back, and the drunken backlash imminent, which she achieves with aplomb at Arlene's "hick barn dance" engagement party. Rutina Wesley must have had jaw ache, because she certainly hasn't been used to smiling that much. My carbon footprint is minimum" – is amusing and she soon switches to kindly for Jason, whose naivety ("I ain't never seen snow") provides a gentle contrast to Amy's peculiar nastiness.īack to woods, and Tara has murdered the ghost of herself as a child, who had huge Evil Willow eyes, just to make it all the more horrifying. Her pontificating – "I'm an organic vegan. As pointed out in the comments last week, Stephen Root has been outstanding as Eddie and there's more tension and menace in his scenes with Amy than anywhere else in this episode. We see the beginning of Tara's exorcism, which is creepy and not a little unhygienic, and from the warm firelight of that scene we quickly jump to the harsh blue coldness of Jason's basement. She's heartbreakingly cold to Sam, of whom I'm starting to see the appeal, especially since Young Sam looks so sweet and lost in the flashbacks. It's all a bit much for Sookie, who's had about as much weirdness as she can take.
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Sam explains that he's a shapeshifter, and oh, werewolves exist too, by the way, and he can't help but turn into an animal sometimes, especially if there's a full moon. (Also, remember when she didn't curse? Now she's chucking "shut the fuck up" around, which didn't take long. "Did he ask you to do it buck naked?" Fair point, Sookie Stackhouse. "Bill asked me to look after you while he was away!" he protests, as Sookie throws him a justifiably confused stare. First, there's the small matter of Sam being naked at the end of Sookie's bed. It's got everything in the right place: the horror, the frights, the funny and the gore – and the potential to turn into West Side Story, but we'll get to that in a little while. I Don't Wanna Know is a clear contender for Best Episode Yet. Don't read ahead if you haven't seen tonight's episode Spoiler alert: this weekly series is for everyone watching True Blood on FX UK.